Noel Gallagher's new record inspirations

as we anticipated two years ago. 

A man with harmonica (Once upon a time in the West) ENNIO MORRICONE 

Bonfire of teenagers (dedicated to Liam...) MORRISSEY 

Wild wood (orchestra version) PAUL WELLER

La polizia sta a guardare STELVIO CIPRIANI

Thorin (new song teaser) NOEL GALLAGHER'S HIGH FLYING BIRDS 

Italia a mano armata FRANCO MICALIZZI

Strange dreams NIC CESTER (JET) & MILANO ELETTRICA

Trinity ANNIBALE, CANTORI MODERNI DI ALESSANDRONI, MICALIZZI

Trying to find a world that's been and gone (new album) N.GALLAGHER'S HIGH FLYING BIRDS

Preludio & fuga in G minor (D.BUXTEHUDE) live OUR DAD

For a few dollars more (version with organ) MORRICONE

Mary's theme S.CIPRIANI

Jill's theme (Once upon a time in the West) MORRICONE

Walk on by BURT BACHARACH

Comedy SHACK

Anonimo Veneziano S.CIPRIANI

There is a light that never goes out ORCHESTRA OF THE SWAN - THE SMITHS 

Natalie's party SHACK

Hey mama SHACK

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summer holidays 2022 : space

as we anticipated years ago, Noel's new album with orchestra... 

Samantha Cristoforetti is from our same place in the mountains in Italy, but born in Milan like us. 

Spazio 1999 EDDA DELL'ORSO, MORRICONE 

Ragazzo solo ragazza sola (Space oddity) DAVID BOWIE (for the book we found this summer in the mountains)

Cry baby (new) N.CESTER & MILANO ELETTRICA, MORRICONE ORCHESTRA 

Astrogirl SUEDE (in the future world (Milan Futurismo) you'll be making friends with the supermen... D'Annunzio & Nietzsche of our posts)

Andromeda (orchestra new version) PAUL WELLER 

Trying to find a world that's been and gone (orchestra new album) NOEL GALLAGHER'S HIGH FLYING BIRDS 

D'yer wanna be a space(wo)man? OASIS 

Always together with you (new) SPIRITUALIZED

Gravity (orchestra new version) WELLER

Life on Mars (church organ cover) (BOWIE)

Star light zone (Sonic) NAKAMURA

Cieli neri BLUVERTIGO (support band @ Oasis first gig in Italy, Milan, friends with my first girl of Oasis Step Out, now Sergio in Milano Elettrica of Nic's Jet supporting Oasis)

Milano SIGUR ROS

GUSTAV HOLST, the planets :

Mars, bringer of war

Venus, bringer of peace

Mercury, the winged messenger

Jupiter, bringer of jollity

Saturn, bringer of old age

Uranus, the magician

Neptune, the mystic

(even if modified) "best selfie in history"

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The dicksuckers : the hypocrisy of Liam & new fankids - part 12, "supporting" gays & women (!)

LONDON - The betrayer, Liam (liaR) Gallagher (using Oasis and he's the DEATH of them) suddenly appreciates his "gay" photos (his fans think they're gay... "Gallaghercest", as the sick they are) of an appropriate DICKSUCKER... yes, of corporations and politically correct system... see the great results in the society nowadays... the fake rebel, slave of new corrupt world making even more a fool of himself and his own blinded fankids believing him... a servant of shit sick media busllhit... (also recently the angry one telling faggot and similar terms to everybody he hates)... psychiatrist needed. You should realise he's a (non ex) drug addict...

His fans : yes Liam said shit thru the years... To quote an Oasis song : it's not what you say, it's what you do...

The average Liam new ugly fangirls defaming celebrities and people they can only dream to know : she / he / it (they don't even know who they are, the opposite of Oasis sure of themselves), loving politically correct ruining their life with no future. Are these insults? we didn't even start... it's called truth offending them... don’t worry, truth always offends. Oh new fankids are so delicate... (apart from hating everybody having a different opinion... wow very democratic). What a shite generation. They should change band, there are so many and be sure we won't care about them. We won't say hey this is wrong, get a knowledge. They weren’t even born at Oasis times and have a shite knowledge. Liam was using gay terms to offend also recently (oh and recently used violence even against his own woman, apart from death menaces just because of football, trolling on the internet and stalking Noel's wife on the phone etc etc). 

Can you imagine Oasis being politically correct? being told even WHICH words to use... (new fans clearly need to receive a big fuck off). Liam behaving like that is normal Liam. More to come. He’s got a complete shite new fanbase.. he realised the historic fans don't like him anymore... in fact we see around they've got families, jobs etc... 

Instead of caring about millionaire celebrities you don’t even know personally, Liam's fans should think about buying themself a mirror. And watch out : the "pacifist" betrayer, that is the real homophobic one, is making a fool of you... And he’s clearly (apart from them blinded not realising) got a “guilty conscience” because every now and again the real Liam comes out...

They think the "fucked up" views are ours... said from the ones who like to be fucked... and sucking dicks.

There are also those who think both the Gallaghers are gay (so they were with women and married several times to cover their homosexuality...). Right... and they are in love with them (but if they're gay how can they fuck you? ahahaha). Them LGBT are even against Oasis fans drinking BEER... ahahaha that's the baSiS of oaSiS. 

And they idolise one who's got PUB as place where he lives... Beady Eye : "you're blinded by what you idolise"...
At least if sometimes we tell some bullshit, it's also because we drink. You don't even need to drink to be a living bullshit.

They even think he supports gay rights, just because he replied to a fan (wow a huge support by Liam) and didn't want to be unkind. Liam is VOCAL about gay rights ahahaha ironic to be vocal for a singer losing his voice... and cancelling concerts, much to the fans amusement... Also, which gay rights? playing the poor victims? they have everything in nowadays society, they are the favourites.

Oasis have never supported politics shit. It's clear you chose the wrong musicians to support.

But it's meaningful the new fans prefer the brainless brother...

The power created a whole discussion about women's football (that is slow as fuck... we watched it once and fell asleep during a cross...) they support just because England won the Euro tournament. A division of the people distracting from real problems. It's the classic "divide et impera" to keep the power, so the people fight against themselves and not the power... Solution : they will put transsexuals to make it stronger... great respect for women they think to support... 
women's football doesn't give a good impression to women, they are better in many other things so it's childish to insist as if they have to reach men with fucking football...

Liam showing off his richness and even says he's not rich... that's the real Liam out again not politically correct, but hypocrite as always. It's his scheme to get attention, doing / saying some bullshit, then guilty conscience, and some other bigger bullshit to "repair"...

classic liar-Liam, he was dying his hair already at Oasis times... nothing strange for a fake one faking things

a Liam fangirl told us nobody cares about our opinions... "nobody" as : 3,491,504 (update from the stats) and growing. It's because the new fans think there's only social(ist) networks, Facebook etc. they're completely blinded by the "new world"... (that has great results eh...) 

They are a virtual utopia, typically "fucking communist", so they feel good in the virtual world of socials.
They don’t understand the point of life is TIME.. and with time they’ll be washed away... (remember our anticipations are always right). Liam a singer can’t even sing already. 

It’s the nature’s law... the weak ones succumb... they don’t even know who they are, even if male or female or a dildo... 

dicks for sure.

Good luck with monkeypox... COME OUT OF HIS ARSE

more to add soon

they are a caricature of themselves

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songs of the summer 1977->2022

2022's is a mega summer (apart from Liam gone shit), we rarely say that. 
Meanwhile, wasn’t it Noel the one who refused to sign things to fans ? (it wasn't even true) and Liam attacked him for that... wasn’t it Noel the one interested in money and Liam attacked him for that... etc. etc. seems like new Liam likes all the things he uses to attack Noel... Liam uses even Oasis... an actor of fake fiction, a servant of corporations. 

Can you imagine John Lennon (he would say Liam is an idiot) writing Little James ahahahaha as Liam says... "pacifist" hypocrite

50 hits 

Through the echoes 2022 PAOLO NUTINI 

Blue Moon rising 2020 NOEL GALLAGHER'S HIGH FLYING BIRDS

((trance)) (what a place to be -complete) 2019 SERGIO PIZZORNO

The man 2017 THE KILLERS 

Fire 2009 KASABIAN

Eyes on the horizon 2017 NIC CESTER, MILANO ELETTRICA

They don't own me 2016 RICHARD ASHCROFT

Milan Expo 2015 final part R.CACCIAPAGLIA

Riverman 2015 N.GALLAGHER

In the air 2018 DMA'S

Flying on the ground (Italy Euro champion 2021) N.GALLAGHER

A sky full of stars 2014 COLDPLAY

Hotel California 1977 EAGLES

I like Chopin 1983 GAZEBO (P.Mazzolini)

Everybody wants to rule the world 1985 TEARS FOR FEARS

Fable 1996 ROBER MILES CONCINA

Are you gonna be my girl 2003 JET (N.Cester)

Show me love 1993-2008 ANGELLO, LAIDBACK LUKE, ROBIN S

Sunshine 2004 KEANE

Rise up 2007 LAROCK

All I wanna do (is be with you) 2008 PAUL WELLER

No stress 2008 WOLF

Liù 1978 ALUNNI DEL SOLE

Out here on my own 1981 NIKKA COSTA

Marmellata#25 - 2005 CESARE CREMONINI

Rhythm is a dancer 1992 SNAP

Tu sei l'unica donna per me 1979 ALAN SORRENTI

In the bubble with a bullet 2011 BEADY EYE

Giulia 1984 G.TOGNI

Lucyella 2012 CLOCKTOWER

Call me maybe 2012 CARLY R.JEPSEN

Iz rite 2013 B.EYE

Shattered dreams 1987 JOHNNY HATES JAZZ

Love changes (everything) 1988 C.FISHER

Nobody's wife 1998 ANOUK

She's in fashion 1999 SUEDE

Pure shores 2000 ALL SAINTS

Stay young 1997 OASIS 

Eye of the tiger 1982 SURVIVOR

Touch me 1986 SAMANTHA FOX

Shakermaker 1994 OASIS

Everything I do (I do it for you) 1991 BRYAN ADAMS

Un'estate italiana -notti magiche World Cup Italia 1990 GIANNA NANNINI-BENNATO

Luna 1980 TOGNI

Mondo 2010 ("we love England") C.CREMONINI

Loco 2001 FUN LOVIN' CRIMINALS

7Seven Nation Army (2003) Italy world champion 2006 WHITE STRIPES

El tiburón 1995 PROYECTO UNO

Pump up the jam 1989 TECHNOTRONIC

Thank you for the good times 2002 OASIS

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Gabriele D'Annunzio mix, memento audere semper

here's more about him. In "The Pleasure", the protagonist meets his love Elena at a concert. D'Annunzio was not a musician but music was fundamental in his works and could play piano, violin, guitar etc also church organs in his house and was friends with famous musicians. Being a poet he was like a songwriter. 
It is said he had beautiful women but nowadays they look ugly as Liam's fangirls.
Meanwhile, can you imagine telling to 90s Liam that in 2022 he would've been about One Direction... (his fans talk about that) ...ended up (down) in shit, still the opposite of Oasis. And he fakes to want the reunion... desperate to have fans. New fankids can't understand as they weren't even born. Liam changing personality and not being himself, typical of masonic shit selling himself to corporations...

Cavalleria rusticana (intermezzo) best music ever P.MASCAGNI fasistaaa

A simple game of genius (Saint Cecilia patroness of musicians in D'Annunzio house, she was from Italy) NOEL GALLAGHER

La donna è mobile (Rigoletto) L.PAVAROTTI (G.VERDI)

For a few dollars more (with organ version, final duel) weapons in D'Annunzio house, even a warship in the garden E.MORRICONE

Boëllmann gothic suite opera 25 with toccata (live 1977) our dad (rip)

Noct. Opera 9 n.2 F.CHOPIN (M.Pollini)

Mars (war bringer) G.HOLST

I Vespri Siciliani, sinfonia G.VERDI (R.Muti director)

'A vucchella (by D'Annunzio) E.CARUSO

piano quintetto barcarole, recorded 1908 G.SGAMBATI

parisina (D'Annunzio text) Bene morrò d'amore P.MASCAGNI

il martirio di San Sebastiano (in his house) D'Annunzio script C.DEBUSSY

Symphony no.5 L.VAN BEETHOVEN

La guerra (war) F. Balilla Pratella (Milan Futurismo)

Risveglio di una città (awakening of a city) L.Russolo (Futurismo noises) 1914

Preludio e morte di Isotta R.WAGNER (A.Toscanini director)

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OUT of Qatar 2022 World Cup consolation party

at least there's still something Italian : the World cup. (by artist Gazzaniga from Milan and AC Milan fan). 

Meanwhile, how ridiculous is Liam Gallagher not tweeting bullshit for many days as if he had an illness (yes in his head), to justify the fact of letting down his own fans (walking offstage and cancelled shows), while he tweets bullshit all year. 

Cuts like a knife, Bryan Adams CANADA 

Hayya hayya (anthem) T.Cardona, Davido, Aisha

Mas que nada, S.Mendes BRAZIL 

il Grande duello, L.Bacalov (Italo-)ARGENTINA 

Stop crying your heart out (dedicated from Noel Gallagher to England 2022) live, Glastonbury

Since I told you it's over, Stereophonics WALES

3 lions (it's coming home), Lightning Seeds ENGLAND 

The Mexican, N.Gallagher MEXICO 

Battle without honor or humanity, T.Hotei JAPAN 

Goodnight America (dedicated to Sleepy Joe Biden) Mary C.Carpenter USA 

Noel talking to Australian crowd (Oasis gig) AUSTRALIA 

Saturday night, Whigfield (Italo-)DENMARK 

Pump up the jam, Technotronic BELGIUM 

Gangnam style 강남스타일, Psy SOUTH KOREA

Noct. Opera 9 n.2, Chopin (played by Pollini from Milan) POLAND 

Pensami (Italian version) Iglesias SPAIN 

Heidi (Italian) Elisabetta Viviani from Milan SWITZERLAND 

Di sole e d'azzurro (Italian Giorgia cover) Mia Negovetić CROATIA 

Het is fijn in Italië te zijn, Marco Van Basten NETHERLANDS 

Portuguese medley, Ana Free PORTUGAL 

Lupin (Italian) Draghi FRANCE 

Du hast, Rammstein GERMANY 

Novak Djokovic, Paor SERBIA

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Paolo Nutini @ Vittoriale, Italy

"Britalian" Paolo was also rock'n'roll, the people were dancing. Liam Gallagher thinks to be rock'n'roll, doesn't even know his own music genre. He mocks Noel about "cosmic pop" because doesn't know his genre... (appropriate for his new fake politically correct character) ....always jealousy from Liam, he's got low instincts.

His fans are very insecure, they don't even know who they are... the opposite of Oasis...

Iron sky was appropriate for the Italian situation... as always. He sang Guarda che Luna in Italian, as there was a beautiful moon on Garda lake. 

Amazing Vittoriale degli Italiani, Gabriele D'Annunzio Decadentism very Oasis (Liam very decadent now, lol) and against science (very current). Nietzsche's Oasis nihilism, the "superman" despising the plebs, the supremacy of the individual (Noel) Oasis ego anti-"fucking communists", Oasis "will to power". The book "il Piacere", The Pleasure (very Oasis hedonism life philosophy) 1889, the greatest with The picture of Dorian Gray (1890), Irish as Oasis origins.

Another book by D'Annunzio : Maybe yes maybe not (Oasis maybeee), "indubbiamente forse". He was kind but "brutal bastard" as Oasis.

He had a huge international success... they said he was liked because "portrait of self-confidence" as Oasis (opposite of today's society...), "enthusiast until madness" as Oasis...
In his house there's Saint Cecilia patroness of musicians (Noel's A simple game of genius), she was from Italy.

He's considered fasistaaa, friends with Mussolini, and had sense of freeeedom and being sure of yourself and patriotism with flags, so all very Oasis, and importance of women. He joined war (Milan Futurismo), "poet soldier" as Noel wants too, though we don't agree about this current war giving weapons, as Liam supports Ukraine. 

It is said he had many beautiful women but nowadays they look ugly as Liam's fangirls.

Brescia è un'altra provincia del Burundi. Sono TUTTI immigrati. Non è una questione di pelle di razzismo, è una constatazione. Sono migranti non solo africani, una globalization totale e si muovono in branchi. Fossi una donna non sarei tranquilla, ma neanche un padre di famiglia... (i politici se ne fregano perchè hanno la scorta...). Abbiamo assistito in diretta a un'aggressione con sputi e schiaffi... 

Sono contente solo le donne di sinistra perchè sono cessi come le fan di Liam, la loro unica occasione di prenderlo in culo.

setlist : 

Afterneath

Lose It

Scream (Funk My Life Up)

Acid Eyes

Stranded Words (Interlude)

Radio

acoustic section :

Dream a Little Dream of Me (Ozzie Nelson and His Orchestra cover)

Last Request

Coming Up Easy

Cherry Blossom

Petrified in Love

Jenny Don't Be Hasty / New shoes

Pencil Full of Lead

Candy

Everywhere

Through the echoes (song of the summer 2022)

Iron Sky

Shine a Light

Guarda che luna (Fred Buscaglione cover) = look, what a Moon

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Morricone anniversary tribute

thank God we refused Liam Gallagher's backstage @ Lucca and didn't go, we would've died of boredom with that frog voice. Even better "sleeping" with Morricone tribute with our Oasis groupies "fucking recorder". 

Quod erat demonstrandum : yesterday in France he walked offstage again, here we go again... his blinded fankids call it “perfectionism” (!!!), the truth is : shite voice of an ex-singer. 

Now playing the media darling clown. Unreliable. 

Plus other 2 gig cancelled... classic. The message in French reminds of Oasis split 2009... always troubles with Liam.

Ennio inspiration for Noel Gallagher (also new album soon), also Sergio Leone spaghetti western film on Oasis first record. 

He had a bit of Oasis grumpy character but also funny, as when we met him. Godlike genius, legend. Also came to our Football English pub.

concert by Italian police orchestra band, soprano : Federica Balucani.
feat. (also medleys) Cinema Paradiso, Once upon a time in America, La leggenda del pianista sull'oceano (The Legend of 1900), Secret of the Sahara, Once upon a time in the West, The Mission (Gabriel's oboe), Deborah's theme, The good the bad the ugly, Love circle (Let's say, an evening for dinner), A fistful of dollars (also final duel and For a few dollars more), Investigation of a citizen above suspicion, The ecstasy of gold, La califfa, etc
Italian police march Giocondità
Italy anthem Fratelli d'Italia

Ennio's dreams, percussionista banda della Polizia di Stato

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Morrissey takes swipe at Liam Gallagher in new song about Manchester Arena bombing

Meanwhile "innocent angel" hypocrite Liam "peace" is busy using things against Noel because Liam wants the reunion... sure... to be an attention whore everyday. Liam and his blinded fans are always angry for the wrong reasons... never against global shit. They even think to be REBELS ahahahaha... brainwashed, more like. No doubt he's got millions of fans... A bitch paying for everything, writing, producing, being helped with everything (also autotune for his voice), even paying for playing Oasis songs, etc... "guess God thinks he's UNable", disabled in his head. That's why the new generation fankids like him.

Obviously the media here said "Oasis" and not media darling Liam, the new politically correct one... Oasis and Liam are not the same thing... often even the opposite...

He's not poular among legends as Mick Jagger, Morrissey, Paul McCartney, George Harrison... and we're sure John Lennon would've said Liam is an idiot.

After 22 were killed in a suicide bombing at a 2017 Ariana Grande concert in Manchester, Oasis’ 1995 classic “Don’t Look Back in Anger” resurged as an anthem of sorts for the band’s grief-stricken hometown. 
Now The Smiths legend Morrissey appears to mock Liam Gallagher with a new song called “Bonfire of Teenagers”. 
Morrissey debuted the track last week in the midst of his Las Vegas residency, telling the crowd:
“This song is new, it’s about England’s September 11... Obviously in jolly old England, most people won’t talk about it — but I will.”
The song’s protagonist is a female fan attending Grande’s concert, who he describes as being “vaporized”:
“Oh, you should’ve seen her leave for the arena/ On the way, she turned and waved and smiled: ‘Goodbye,’” Morrissey sings in his trademark baritone.
You might recall that Liam Gallagher himself performed “Don’t Look Back in Anger” at One Love Manchester.
Later on in “Bonfire of Teenagers” Moz directly references the single with some not-so-subtle contempt:
“And the silly people sing ‘Don’t Look Back in Anger’/ And the morons sing and sway: ‘Don’t Look Back in Anger’/ I can assure you I will look back in anger ’till the day I die.”
Plenty of fans took to Twitter to voice their opinions on the often-outspoken singer’s latest tune:
“Morrissey expresses anger at the many innocent lives lost and even that is twisted and criticised by some”
“I’m more perplexed by those who DON’T understand his feelings on this.”
No matter what you think of the polarizing lyrics in “Bonfire of Teenagers,” there’s one thing we can all agree on: Morrissey will always say what’s on his mind, for better or for worse. Watch fan-captured footage of him performing the song below.

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Oasis 21 August Be Here Now 25th anniversary barbecue

in our Blur countryhouse. 

This is not a GRILL :) (fuckin' in the bushes) OASIS 

Nobody else (countryside fire video) THE SLP SERGIO PIZZORNO (KASABIAN) 

Heat above GRETA VAN FLEET 

Shine a light (live) PAOLO NUTINI 

Fade away (vocal mix) OASIS, innocent Johnny Depp, Kate Moss tambourine, some backing vocals 

Fame DAVID BOWIE 

The fame (demo) NOEL GALLAGHER (Oasis)

Beach boy BENEE 

D'you know what I mean (instrumental re-think) all my people... OASIS

((trance)) (what a place to be) complete version PIZZORNO

Destinazione paradiso GRIGNANI living on our wine hill

Walk on (airplane landing in Milan) NIC CESTER (JET) & MILANO ELETTRICA

The girl in the dirty shirt (backing track) OASIS

Wild horses (Milan 2022 San Siro stadium live) ROLLING STONES 

Digsy's dinner (lasagna) live OASIS (Noel)

Little wing HENDRIX 

Bron-Y-Aur stomp LED ZEPPELIN 

Through the echoes (live) NUTINI

Stay young (acoustic Noel+Liam) of that magic summer 1997 OASIS

Meanwhile... in the silent nowhere (ti amo ti amo) acoustic live PIZZORNO

Everybody's talkin' (going where the sun keeps shining) from mega film Midnight cowboy NILSSON

Magic pie (piano) OASIS

Country house BLUR 

Be here now OASIS

Our song (cover La musica è finita) ROBERT PLANT

feat. Manchester City's blue moon beer

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summer 2022 best

Liam's fans (boys dressed like clowns and ugly girls) even think to be Liam and so they troll on social media like him, acting as angry idiots (the basical reason is they suffer from inferiority complexes as him, so they have to vent their anger... they'd better see a psychiatrist). Obvioulsy as him they are "lennonesque"... "peace & love"... until they speak to anyone with a different opinion from theirs. They act as the average Liam, typical masonic corporations brainwashing. No doubt he's got millions of fans, says a lot about the people... 

Through the echoes (J.Holland live) PAOLO NUTINI, song of the summer 2022 

Heat above (live in Italy) GRETA VAN FLEET 

Beach boy (live) BENEE 

Wonderwall (Glastonbury festival) N.GALLAGHER'S HIGH FLYING BIRDS 

Wild horses (Milan San Siro stadium, raining only during this one) ROLLING STONES 

Little wing (live cover in Stockholm, Sweden) JOHNNY DEPP & JEFF BECK 

Shine a light NUTINI 

Thorin (new teaser) NOEL GALLAGHER 

Everybody's talkin' (live) H.Nilsson (cover) "I'm going where the sun keeps shining" NUTINI

Be here now OASIS (Be Here Now 25th anniversary barbecue, 21 August @ our Blur countryhouse)

Ebbrezza totale = Total drunkenness (1997 oldie from Monza / Milano) BLUVERTIGO (support band for Oasis first gig in Italy 95), September grape harvest celebration 

Nessun dorma (nobody sleep please) vincerò (I will win) (PUCCINI) ANDREA BOCELLI special Formula One 100th Monza anniversary (football club now in Serie A)

Tu sei tutta la mia vita (Ac Milan anthem, 2022 Italy champion) You are all my life TONY RENIS

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Noel Gallagher's Glastonbury full show 2022

festival full of Ukraine warmonger Zelensky servants shit... and Greta Thunberg idiot of Green"peace" environmentalist bullshit that Noel hates. Good as from Russia they said in World war 3 they're gonna bomb London first... (representing global chaos) ...great results Boris with weapons... The Guardian review wrote : "singalong for the ages... top-tier material. Gallagher knows how to work the Pyramid stage, pleasing the crowd with a second half of Oasis superhits including a thunderous Wonderwall. Supported by his (Oasis and High Flying Birds) regulars Gem Archer, Mike Rowe and Chris Sharrock. ...how well his voice has held up over the years, certainly when compared to other members of the Gallagher household."... (4 stars out of 5... Liam's Knebworth was a 2 stars). 

It’s just a matter of time (and brains) realizing everything about Liam and getting tired, as Noel did (he knows him better than anyone else). He's become boring even repeating the same things Noel already said... in Monkey Island - feat. Oasis pirate language - it was : "you fight like a cow", so losing the duel... that is basically eveything about Oasis... "You fight like a dairy farmer" (talking about Glastonbury and Monkey Island). Liam's new fankids click like on every little shit of him... sure the new generation has some sort of brainwashing media illness. He even says Noel is boring beause Liam is jealous.

Noel (ironic) said : “I’m going to play a few more tunes that you don’t give a shit about. They’re for me. But if you stick around, after that there’s going to be a lot of very happy people in bucket hats.”. Setlist : 

Fort Knox

Holy Mountain

It's A Beautiful World

She Taught Me How To Fly

We're On Our Way Now

Black Star Dancing

Dead In The Water

Little By Little

The Importance Of Being Idle

Whatever

Wonderwall

Half The World Away

Stop Crying Your Heart Out

AKA... What A Life!

Don't Look Back In Anger

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Rolling Stones @ Milan San Siro stadium

better audio. 

amazing concerto in Milano (it rained only during Wild Horses - wild Italian stallions ^^ -, rain as tears, mega atmosphere) though we don't agree about the Ukraine part. The Stones are servants of the Finance (in fact they're millionaires...). Opening with the song that Oasis covered (today many should fight against this global power...). It's good that Mick Jagger speaks a lot of Italian. 

Talking with fans, they all agreed about Liam Gallagher becoming an idiot (if he ever wasn't one...) and the girls said I look like him... nooooo I wanna be Noel ^^. Told me things as "no doubt you saw Oasis"... am I so much Oasis? we are purists.

The Stones didn't have an idiot as Liam.... and they've been rocking for 60 years... he's nothing compared to them, not even Knebworth can reach them.

Liam even has fans... even millions... says a lot about the people...

It was hot, as the Stones said “glorious Italian sunshiiiine” (that was a hot way to start summer). 

full show setlist, recorded with our Oasis groupies "fucking recorder" :

Street Fighting Man

19th Nervous Breakdown

Tumbling Dice

Out of Time

Dead Flowers

Wild Horses

You Can't Always Get What You Want

Living in a Ghost Town

Honky Tonk Women

You Got the Silver (Keith Richards on lead vocals)

Connection (Keith)

Miss You

Midnight Rambler

Start Me Up

Paint It Black

Sympathy for the Devil

Jumpin' Jack Flash

Gimme Shelter

(I Can't Get No) Satisfaction

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Noel's "zzz" shows better than bitch Liam paying money to be Oasis

LONDON - attention whore Liam Gallagher is so interesting, to have attention he’s got to comment under Noel’s tweets (that is not even Noel writing) and says Noel is jealous... psychiatrist needed for Liam. That’s probably why the new sick generation likes him... the worst part is they don't even realise anything about it. 
he also wrote “zzzzzzz” to Noel after his lazy shows at Knebworth...
His blinded fankids even say “LIAM IS OASIS”... so why he’s even got to pay money for Oasis songs... he's so Oasis he's got to pay as prostitutes. "The bitch keeps bitching..."
“I’m the voice, get over it”... the FROG voice and he’s got to pay, get over it...
he wouldn't play Knebworth without Noel’s song he’s paying...
They even ask him if he’s annoyed about the media talking about his personal life... it’s reason why he’s famous... media playing his game...
he plays the cool man only behind Twitter and protected by the media... You remember Noel, who knows him better than anyone else, saying who is this one looking cool on the media...
Obviously all his fangirls are ugly.

review by Yasmin Kelly about the "300 people watching Noel" (according to liar Liam), the hardcore of Oasis

Pints and ponchos: the legendary Noel and his High Flying Birds dominated Dublin's damp St. Anne's Park - despite the rain.
After kicking off his tour in Wales on Saturday, he gave Dublin an evening to remember on Sunday, starting the June Bank Holiday off with a bang.
Fans of all ages packed themselves into the wet and mucky St. Anne's Park, situated between the suburbs of Raheny and Clontarf on Dublin's northside.
Although Ireland's unpredictable weather was not on our side, nothing could stop this rowdy mob from having a good time.
Finally, the man himself appears - looking exceptionally cool in his leather jacket, a look he pulls off all too well.
The crowd surged with a unanimous adrenaline rush as the Manchester icon - whose music soundtracked many of the audience's rebellious teenage years and unruly 20s - now stood in front of them.
Gallagher's eclectic setlist paid homage to the past and present. As he kicked off with Fort Knox from the classic album Who Built The Moon?, crowds cheered and chanted as the psychedelic sound coursed through the venue. Keeping the crowd in the palm of his hand, he moved through Holy Mountain, Keep On Reaching, She Taught Me How To Fly, and more.
After a handful of solo tracks, Noel made a segue into the iconic Oasis tune Little By Little, which resulted in an eruption from the concertgoers, as predicted. Following on from this, he took fans on a trip down memory lane with The Importance of Being Idle and Whatever.
Suddenly, there was a brief intermission before Noel came toward the mic and sardonically declared: "This song is currently being butchered around the world right now."
The iconic 4-chord intro began and caused havoc amongst the crowd. Of course, it was Wonderwall. Influenced by this very song and the iconic allure of the 90s Britpop bands, I could barely contain my own fever for the legendary track. Wonderwall has become somewhat of a punchline in recent years for being subjected to poor covers by pub singers and various other musicians.
Noel also treated vans to the classic Half The World Away, followed by Stop Crying Your Heart Out, generating a few tears from the crowd (subtly brushed off as "rain", but we know the truth).
Don't Look Back In Anger had friends, couples, relatives, and even strangers putting arms around one another to belt out one of his most beloved anthems. Pints were raised into the air and it became a competition on who could sing with the most force.
Concluding the show with The Might Quinn, devoted fans were left satisfied after having their fill of iconic tracks old and new.

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Liam Gallagher Knebworth review : definitely lazy. Bigness is not greatness

LONDON - better “Noel playing to 300 people” (as liar Liam says...), the hardcore of Oasis, than betraying Oasis at KNOBbworth for Liam’s psychiatric problems, as his fankids. 

They even say he's better than Oasis... it proves (apart from their music knowledge being shit) they're no Oasis fans... no need, we already knew about that.

Liam even has to PAY for Oasis songs. He wouldn't play Knebworth without the song he's paying.

Now they sell even Knebworth fake grass... how appropriate about a LiaR telling lies... now we sell the grass from our garden and say it’s from Knebworth and his blinded fankids psycho losers will believe it...

The hypocrite had said never wear Adidas when adult because uncool... even a parka.

The Times review about the betrayal of Oasis, singing like a frog. "The truth can be so hard to swallow"... we were right. 

Dedicating a song to Noel "that'll do his head in!" (in fact Noel was playing festivals...as if he cared about Liam trolling), after forgetting Noel's birthday... class...

"Never mind the Platinum Jubilee, this weekend’s most royally overblown anniversary celebration took place at Knebworth Park, with Liam Gallagher". 

"Billed as a nostalgic re-run of the mega-shows that Oasis headlined here in 1996, the concerts were a mixed affair. Gallagher swaggered on stage like a king, but played an uneven show that was low on crown jewels. Too much of it, like his nasal sneer, fell flat."

"Like Gallagher’s set list, the Knebworth audience certainly resembled a massed tribute act to their younger selves: an army of overwhelmingly white, middle-aged men squeezed into the shorts and Union Jack beanie hats of their Nineties youth, giving each other drunken bear hugs and lining up against the perimeter fence to urinate in joyous union. Suddenly that tenuous link between Britpop and Brexit felt a little more persuasive."

"Gallagher’s music selection struck a pretty sensible balance between solo material and vintage Oasis numbers, wisely beginning and ending with the latter. Noel Gallagher’s songwriting had its limitations, but the enduring power of hits such as Stand By Me and Live Forever to sweep vast crowds up into a sing-along remains impressive. Crafting genuinely populist anthems is a rare skill."

"Tracks from Gallagher’s newly released album, C’Mon You Know, were mostly prosaic and forgettable. As ever, the singer’s blind adherence to a staid retro formula was a major weakness. For an avowed fan of revolutionary artists such as the Beatles, David Bowie and John Lydon, Gallagher’s obstinate refusal to explore areas beyond the most monochrome lad-rock cliches is baffling. Definitely lazy."

"Liam is notorious for his hot temper: “like a man with a fork in a world of soup”, as brother Noel once memorably described him. That anger must surely be one reason why a multi-millionaire on the cusp of 50 keeps scraping away at the bottom of this long-dry barrel, despite having no apparent interest in musical evolution, despite painful arthritis that will soon require a double hip replacement. It sometimes feels like Gallagher is essentially still in the business to troll his older brother. But there was too little of that spiteful fire in this plodding, pedestrian performance."

"Ending with a champagne supernova of fireworks to accompany the song of the same name, with a guest appearance from John Squire, the Stone Roses guitarist, Gallagher’s show was undeniably impressive in its blockbuster scale. But as Oasis emphatically proved, bigness is not the same as greatness. Heavy on regal swagger but light on actual majesty, Knebworth 2.0 was a nostalgic jubilee party for a faded prince of rock, not a future king. What’s the story? Mourning former glory."

** 2 stars out of 5

(just like the value of his albums... but his fankids have a little music knowledge... so appropriate for Liam)

Continue reading...

frog sheep Liam Gallagher’s new soporific album & Knebworth betrayal

LONDON - loved that Liam is still playing several songs written by Noel, a lot of money for Noel... and Liam's gig at Manchester Etihad stadium was so fucking boring... and singing like a frog. 

Same for Knebworth, the betrayal of Oasis. 

(but betrayals are normal in Liam's personal life...)

God wanted Bonehead not participating... leaving Liam alone with his psychiatric problems.

Liam would have a better impression if he retires... looking ridiculous at 50 years old.
He said he caused a lot of mess in his life... but also : people have a distorted image of him... (playing the poor victim) ...oh it must be Noel's fault eh... 

He also said today's rockstars are sheep... (talking about himself again... psychiatrist needed) ...said from the politically correct one and posting the Ukraine flag...

Liam the servant (without even realising it) even feels to TEACH to others... one who showed (not to the blinded ones) to be violent, betrayer and a liar...
He says Noel plays to 300 people... (Liam's inferiority complexes so it's a continuous comparison) ...apart from the fact they're not 300 and he's playing festivals, but if we were really only 300, it would be even better. And more chance to meet him again.

Better 300, the hardcore of Oasis, than betraying Oasis at Knebworth for his psychiatric problems, as his fankids.

other negative reviews : 

In a recent tweet, Liam Gallagher wrote that Oasis, his old band, “piss all over” the Beatles, his favourite band. That’s nice, isn’t it. Ironic, actually, as Gallagher seems to be pissing out the Beatles’ liquid waste on his new album, C’mon You Know, a soporific wade through the kind of swampy Britpop that achieves profundity only when you’re filthy, sunburned and four pints deep at Glastonbury.

There’s nothing inherently wrong with that, of course, but you’ll forgive me for finding Gallagher’s arrogance – no matter how performative, ironic or on-brand – slightly jarring. For some, C’mon You Know will no doubt be a balm: a return to the glory days of Oasis (AHAHAHA). Others may speculate on the value of writing 12 new, less exciting versions of “Don’t Look Back in Anger”. Not all music has to be deep, but this record isn’t fun or experimental either, which makes the whole exercise seem rather pointless.

The album opens with a heartfelt, spangled children’s choir on “More Power” in a self-aware nod to the Rolling Stones’s “You Can’t Always Get What You Want”, before it unfolds into Gallagher’s trademark andante pace and meat-and-two-veg guitar band, which dominates the rest of the record.

Nestled among the sludge, C’mon You Know is at its best with the harmonic jangling of “It Was Not Meant to Be” and folky optimism of “World’s in Need” – the two tracks, incidentally, that sound most like the Beatles. It momentarily picks up in the middle with a few chantable choruses. Title track “C’mon You Know” drives forward at a quicker pace, with vapidly optimistic, crowd-pleasing lyrics – “You know it’s gonna be alright/And we’re gonna dance all night”. On “Everything’s Electric” there are syncopated piano riffs and some heady British summer energy, with twanging guitar solos and a satisfying stomp.

Although “being alright” and “dancing all night” are very post-Covid feelings, Gallagher was adamant that this wasn’t a “post-Covid” album – “Fuck that shit – I don’t want to fucking hear about [the pandemic] ever again, do you know what I mean?” he told NME. Fair enough, you might say, but it does knock the wind out of such sweeping lyrics, which are very quickly transformed from heart-warming collective sentiments to completely meaningless clichés.

Gallagher’s spicier moments – the kick drum chorus on “I’m Free”, the mournful nostalgia of closing track “Oh Sweet Children” – are a much-needed injection of life into what is otherwise a textbook exercise in drear. Sure, everyone will stomp around shouting and throwing drinks when Gallagher does his festival circuit this season, and sure, the diehards will be pleased at this full-length return to late-1990s form. The problem is that throughout C’mon You Know I was – to borrow a phrase that Gallagher used to describe his experience of that lockdown we’re not allowed to mention – “bored shitless”.

another negative :

C'mon You Know is the latest album from ex-Oasis member as well as world renowned brother hater Liam Gallagher. After making a relatively decent solo debut with 2017's As You Were, the younger Gallagher brother has repeatedly tried and failed to live up to the inevitable hype that comes attached to any releases that come from someone as legendary as himself.

Gallagher's vocals are painfully mediocre here and act as further proof that his glory days as a performer are far behind him. The effects and polish that are often layered over his vocal delivery act as the dried out cherry on top of a very inauthentic performance. There isn't an ounce of care or passion in Gallagher's voice, yet he tries to capture the same emotions and tones he did when Oasis were at their best all the same. Rather than walk the same road as some such as Jonathan Richman of The Modern Lovers, Liam Gallagher refuses to move on to a new sound to accommodate a weaker set of lungs. Although this is certainly the man that once fronted one of British music's best artists of the 1990s, Definitely Maybe this is not. This isn't even Be Here Now in terms of quality, if I'm being honest.

Liam sounds completely disengaged with C'mon You Know and generally disillusioned by his own sound. His third solo record could have easily been a golden opportunity to at least dip his toes into a style that would lead him in a different but fresh direction. Rather, this album feels like a contractual obligation rather than a passion project of any kind. The instrumentals are remarkably similar to those that can be found on albums from previous projects of his, except presented in a less immediate fashion. Gallagher himself can barely bring himself to sound interested on the majority of the record. C'mon You Know's only highlight is the mildly psychedelic and dark cabaret influenced "Moscow Rules," an excellent track that sees Gallagher put legitimate love into his music. It is also a song that acts as an example of what every other song here should have been: something new, not a passionless rehash.

As far as songwriting goes, Liam never once reaches his older work, but that really shouldn't be expected. As it stands, C'mon You Know doesn't do much that doesn't tackle the hyper-positivity and glass-half-full mindset Gallagher has done in the past. While it still is an example of most people's favorite Gallagher brother begging a larger audience to care about him again by circling around to old ideas, the songwriting here doesn't suffer nearly as bad as the instrumentals in this regard and is reasonably harmless overall.

Speaking of those instrumentals, they're quite dull and often barely fit the intended tone of the songs. The musicianship here feels automated and robotic in nature, with limited room for typical emotion. Tracks with potential personal impact such as "Diamond in the Dark" are muffled by instrumentals that conjure an emotional reaction percentage of approximately zero. I suppose there are significantly worse performed records from the past few months than C'mon You Know, but Liam Gallagher's third solo album is dreadfully lifeless nonetheless.

In conclusion, C'mon You Know is a disappointing listen at best. What could have been an excuse for the younger half of the brothers Gallagher to develop his sound beyond one of tired Britpop is nothing more than a weak offering that leans on the excellent "Moscow Rules" to not be a total sepia-toned train wreck.

THE GUARDIAN : the album has pleasing touches but can’t rise above solid. 
C’mon You Know hardly sets the pulse racing any more than its two predecessors. 
The old adage about cooks and broth holds true, because for all the efforts of the crack team surrounding him, the results are largely unremarkable and at times, as in the case of Oh Sweet Children, downright cloying.

more soon

Continue reading...

dick-sucker Liam Gallagher new album negative reviews

download the album for free, it's leaked. Clicking on this link : here (if it doesn't work anymore, search for another). Don't give money to millionaire hypocrites. 

Liam said Noel is an arselicker... said from the one who needs sucking even people from corporations dicks who have nothing to do with Oasis for writing songs, producing albums etc... what is about himself, he says it's about Noel... Liam needs a psychiatrist, as his fans all people with mental problems.

There are already negative reviews of his boring record sung with autotune (Noel is a MUCH better singer too), 2 stars out of 5 (not the arselicker Nme of course, they wouldn't exist without Oasis). Better Days (second consecutive single after the title track, both not even in the Uk top 100) doesn't even have a refrain. This album is proof his fankids are completely blinded, they say it's great when something isn't. Just because "it's Liam"... not a guarantee of quality. Main problem of Liam songs is they can be good at first but have no longevity. 

You immediately realise they dont "stand the test of time"... we are trained to first listens with all the discographies we listened to during Covid lockdown. Some tracks are clearly boring fillers to have the number of songs for the album.

"A lack of great songs. The 2019 documentary As It Was revealed a fellow retaining just enough truculent edge. It’s a shame that is not present on his third "solo" studio album. Gallagher told The Sunday Times recently that C’mon You Know (a terrible title, incidentally) is “a bit peculiar in places… 80 per cent madness and 20 per cent classic.” The truth is, though, that Gallagher’s co-writers/producers Greg Kurstin and Andrew Wyatt's production is more playful than Gallagher’s template guitar stomp, but mostly the songwriting simply isn’t there to back this up. The title single is a case in point, never really blossoms into anything, just like closer “Oh Sweet Children”. There are lots like these; expensive-sounding filler. Gallagher’s most persuasive solo album, a rawer creature, is yet to come".

Liam considers great who did Knebworth... so not the Beatles but Robbie Williams... He's just obsessed and suffers from inferiority complexes. His guilty conscience for causing Oasis split...

He even said he stopped being a dickhead... the worrying thing is that he doesn’t even realise he’s now a dickhead more than ever... when he was young it was ok, “it’s just rock’n’roll”... now it’s clearly Debbie politically correct’s fault. Nothing to do with Oasis.

another 2 stars out of 5 : 

"Life moves on for most, unless, like Gallagher you’re stuck displaying a monotonous range of limited influence (Beatles/Rolling Stones) where flowery, psychedelia and syrupy melodies serve as window dressing rather than anything of the writer’s personality for which they are so famed. Starting ominously with a children’s choir (so far, so You Can’t Always Get What You Want) on opener More Power, with its psychedelic touches doesn’t really go anywhere; an intro looking for a song. Diamond In The Dark is in thrall to The Beatles’ Day In The Life, going so far as to crib some of the lyrics – “now I know how many holes it takes to” – and comes over like late period psych-pop Beck. Don’t Go Halfway is yearning to be something The Stone Roses would reject and can’t decide whether to rock out or cop out. Too Good For Giving Up sees him go ‘full Lennon’ in this aping ballad in the vein of Imagine. Not even the addition of a negligible Dave Grohl on drums on Everything’s Electric can elevate this beyond a chorus with some drums. It Was No Meant To Be and World’s In Need are lightweight acoustic-based strummers that are so top-heavy with trite lyricisms (“love that never dies”, “all I wanna do is run away with you”, “sail the seven seas”) that make (the unfortunately titled) Moscow Rules limp lyrical stab at surrealism (where “empty seat stare back across the table”) seem almost puddle-deep. The irony that his care-free simian stroll has apparently resulted in the need for a hip replacement could be seen as a medical metaphor for his relevance some 25 years since his heyday. C’mon You Know’s problem is that, after the initial bluster of his two preceding albums, it just sounds distinctly pedestrian, complacent and reflective. The addition of wisps of trippy phasing, looped drums and a diversion into dub (eek!) all add up to songs that seem just a bit too contrived and calculated to really feel like he ‘means it man’."

"People talking like they're Gods" (More Power), "You've been boring" (The Joker), as also I'm Free... seems like he talks about himself...

Then the liar comes out with media darling catchphrases as "I'd give a kidney to Noel", when all the year he behaves the opposite way... If you are really Oasis fans, you wouldn't support his ego, or you have no reunion. Don't cry then as usual oh Noel is soooo baaaaad...

Only blinded fankids smoking weed with no music knowledge can think it’s a good album...
they give 5 STARS to the album... sure, new Pink Floyd ahahaha come out of his arse.

He said he caused a lot of mess in his life... but also : people have a distorted image of him... (playing the poor victim) ...oh it must be Noel's fault eh...

“There are pleasant moments but it even more than his first two solo albums, it sounds like a bunch of people who aren’t in rock bands got together and tried to write a contemporary Oasis record. It’s fine and will do the business for him. But no one will be listening to this record 5 years from now.”

*** 3 stars out of 10

(we're not listening 5 days... I bet the majority will not admit it but won’t listen 5 weeks later...)

“This album felt like a collection of "filler" songs, giving it a general lack of feel and direction.
Lyrically, this album was quite cliché and, again, lacked any direction or mood.
Some songs, which musically sounded promising were marred by questionable lyrics (for example, Better days).
The mix sounded confused also, some tracks sounding like they were engineered by completely different people from song to song.
Everything's electric was a clear winner on the album, however, as we know, wasn't written by the man himself.”

** 2 stars out of 10

SOPORIFIC ALBUM

In a recent tweet, Liam Gallagher wrote that Oasis, his old band, “piss all over” the Beatles, his favourite band. That’s nice, isn’t it. Ironic, actually, as Gallagher seems to be pissing out the Beatles’ liquid waste on his new album, C’mon You Know, a soporific wade through the kind of swampy Britpop that achieves profundity only when you’re filthy, sunburned and four pints deep at Glastonbury.

There’s nothing inherently wrong with that, of course, but you’ll forgive me for finding Gallagher’s arrogance – no matter how performative, ironic or on-brand – slightly jarring. For some, C’mon You Know will no doubt be a balm: a return to the glory days of Oasis (AHAHAHA). Others may speculate on the value of writing 12 new, less exciting versions of “Don’t Look Back in Anger”. Not all music has to be deep, but this record isn’t fun or experimental either, which makes the whole exercise seem rather pointless.

The album opens with a heartfelt, spangled children’s choir on “More Power” in a self-aware nod to the Rolling Stones’s “You Can’t Always Get What You Want”, before it unfolds into Gallagher’s trademark andante pace and meat-and-two-veg guitar band, which dominates the rest of the record.

Nestled among the sludge, C’mon You Know is at its best with the harmonic jangling of “It Was Not Meant to Be” and folky optimism of “World’s in Need” – the two tracks, incidentally, that sound most like the Beatles. It momentarily picks up in the middle with a few chantable choruses. Title track “C’mon You Know” drives forward at a quicker pace, with vapidly optimistic, crowd-pleasing lyrics – “You know it’s gonna be alright/And we’re gonna dance all night”. On “Everything’s Electric” there are syncopated piano riffs and some heady British summer energy, with twanging guitar solos and a satisfying stomp.

Although “being alright” and “dancing all night” are very post-Covid feelings, Gallagher was adamant that this wasn’t a “post-Covid” album – “Fuck that shit – I don’t want to fucking hear about [the pandemic] ever again, do you know what I mean?” he told NME. Fair enough, you might say, but it does knock the wind out of such sweeping lyrics, which are very quickly transformed from heart-warming collective sentiments to completely meaningless clichés.

Gallagher’s spicier moments – the kick drum chorus on “I’m Free”, the mournful nostalgia of closing track “Oh Sweet Children” – are a much-needed injection of life into what is otherwise a textbook exercise in drear. Sure, everyone will stomp around shouting and throwing drinks when Gallagher does his festival circuit this season, and sure, the diehards will be pleased at this full-length return to late-1990s form. The problem is that throughout C’mon You Know I was – to borrow a phrase that Gallagher used to describe his experience of that lockdown we’re not allowed to mention – “bored shitless”.

UPDATE : Liam starting to cancel gigs (typical) in Madrid

more soon

C'mon You Know is the latest album from ex-Oasis member as well as world renowned brother hater Liam Gallagher. After making a relatively decent solo debut with 2017's As You Were, the younger Gallagher brother has repeatedly tried and failed to live up to the inevitable hype that comes attached to any releases that come from someone as legendary as himself.

Gallagher's vocals are painfully mediocre here and act as further proof that his glory days as a performer are far behind him. The effects and polish that are often layered over his vocal delivery act as the dried out cherry on top of a very inauthentic performance. There isn't an ounce of care or passion in Gallagher's voice, yet he tries to capture the same emotions and tones he did when Oasis were at their best all the same. Rather than walk the same road as some such as Jonathan Richman of The Modern Lovers, Liam Gallagher refuses to move on to a new sound to accommodate a weaker set of lungs. Although this is certainly the man that once fronted one of British music's best artists of the 1990s, Definitely Maybe this is not. This isn't even Be Here Now in terms of quality, if I'm being honest.

Liam sounds completely disengaged with C'mon You Know and generally disillusioned by his own sound. His third solo record could have easily been a golden opportunity to at least dip his toes into a style that would lead him in a different but fresh direction. Rather, this album feels like a contractual obligation rather than a passion project of any kind. The instrumentals are remarkably similar to those that can be found on albums from previous projects of his, except presented in a less immediate fashion. Gallagher himself can barely bring himself to sound interested on the majority of the record. C'mon You Know's only highlight is the mildly psychedelic and dark cabaret influenced "Moscow Rules," an excellent track that sees Gallagher put legitimate love into his music. It is also a song that acts as an example of what every other song here should have been: something new, not a passionless rehash.

As far as songwriting goes, Liam never once reaches his older work, but that really shouldn't be expected. As it stands, C'mon You Know doesn't do much that doesn't tackle the hyper-positivity and glass-half-full mindset Gallagher has done in the past. While it still is an example of most people's favorite Gallagher brother begging a larger audience to care about him again by circling around to old ideas, the songwriting here doesn't suffer nearly as bad as the instrumentals in this regard and is reasonably harmless overall.

Speaking of those instrumentals, they're quite dull and often barely fit the intended tone of the songs. The musicianship here feels automated and robotic in nature, with limited room for typical emotion. Tracks with potential personal impact such as "Diamond in the Dark" are muffled by instrumentals that conjure an emotional reaction percentage of approximately zero. I suppose there are significantly worse performed records from the past few months than C'mon You Know, but Liam Gallagher's third solo album is dreadfully lifeless nonetheless.

In conclusion, C'mon You Know is a disappointing listen at best. What could have been an excuse for the younger half of the brothers Gallagher to develop his sound beyond one of tired Britpop is nothing more than a weak offering that leans on the excellent "Moscow Rules" to not be a total sepia-toned train wreck.

THE GUARDIAN : the album has pleasing touches but can’t rise above solid. 

C’mon You Know hardly sets the pulse racing any more than its two predecessors. 

The old adage about cooks and broth holds true, because for all the efforts of the crack team surrounding him, the results are largely unremarkable and at times, as in the case of Oh Sweet Children, downright cloying.

Continue reading...

Milan 2022 Italy champions

Milan & Manchester champions 2022. 

Freed from desire (Pioli is on fire) GALA (Milan)

Celebration day LED ZEPPELIN (satanic)

O generosa (Serie A hymn) live ALLEVI 

Beautiful ones (22, number of Oasis madness) SUEDE 

Flashbax OASIS Noel Gallagher 

Under different stars RELAYS (Oasis Masterplan album)

El diablo ELENA TSAGRINOU

Sympathy for the devil ROLLING STONES 

Diavolo in me ZUCCHERO 

El diablo LITFIBA

Sarà perchè ti amo (stadium chant) RICCHI&POVERI

Un'avventura (stadium chant, in fondo all'anima la Curva Sud) BATTISTI

Grande grande grande TONY RENIS

#Rossoneri EMIS KILLA, SATURNINO

Tu mi ricordi Milano ORNELLA VANONI

Se me lo dicevi prima (quando vince il Milan) JANNACCI

Tu sei tutta la mia vita, You are all my life (hymn) RENIS

Canto rossonero SMAILA, CURVA SUD 

O mia bella Madonnina -Oh my beautiful Lady (symbol city hymn) in Milanese dialect GIOVANNI D'ANZI (a Milàn se diis : San Giuàn fa minga ingàn)

Dedicato a te (Giulia) VIBRAZIONI (all Milan fans)

Pazza INTER (amala) anthem ;-)

22) We are the champions (live Milan 84) QUEEN

Continue reading...

700th compilation : top mixes

The rain song (unledded live with orchestra) LED ZEPPELIN 

This is not America DAVID BOWIE 

Muoio per te (Italian version) STING 

Se telefonando (= if calling) MINA & maestro MORRICONE 

This is the one (bellona bella donna) STONE ROSES 

I can hear music BEACH BOYS 

Pick a part that's new (the Italian job) STEREOPHONICS 

Sally ("life is all an equilibrium above madness") V. ROSSI 

Outside GEORGE MICHAEL 

Trinity (Django by Tarantino - from the film by Barboni) I CANTORI MODERNI DI ALESSANDRONI

William, it was really nothing (dedicated to Liam) SMITHS 

I wanna live in a dream in my record machine (mega guitar / strings solo) OASIS (Noel Gallagher's High Flying Birds)

Arrivederci a questa sera (=see you tonight) LUCIO BATTISTI 

Cavalleria rusticana (intermezzo) P. MASCAGNI

La luce buona delle stelle (=the good light of the stars) EROS RAMAZZOTTI & PATSY KENSIT 

Caruso (cover live @ Milan Arena) (L.Dalla) PAOLO NUTINI 

Movin' cruisin' (from Who finds a friend finds a treasure, Italian actors Bud Spencer & Terence Hill) (LA BIONDA brothers)

AKA... What a life! NOEL GALLAGHER'S HIGH FLYING BIRDS 

(numbers of listens & favourites)

Continue reading...

nazi Liam Gallagher supports nazi Ukraine

LONDON - These are the people on the same side of Liam (the "man" who never read a book in his life) ...all the media : bad Russia menacing Uk with SUPERSONIC missiles... but who said using Uk weapons IN RUSSIAN territory given to Ukraine is ok ? clown James Heappey, 13 years old at Oasis first album, secretary for Armed Forces, ex British Army officer with this face ?
Consequence : radio-active waves 500 metres high, cancelling Uk... It's not even necessary to choose a target. Tests have already been done in the Arctic.
Italy more difficult to reach with a "yellow submarine", we'll stay on our mountains 4,000 metres high.
They said Great Britain is very small... Italy has a similar shape but the problem for Uk the highest mountain is only 1,345 metres high, Ben Nevis...
It's as the day before Russia attack, Zelensky said to enter Nato... but the media ignore that... they don't see the arrogance on "our" side... (not really our side, they don't speak for us). It's also clown Boris Johnson allowing Heappey saying that.

By the way, one of Liam's Ukraine fankids got offended for Noel's opinion about Harry Styles... (enough said). Liam even had police for stalking Noel's wife Sara but he says the stalker is Noel eh... Liam is no big headed eh... Liam not self important eh... these people need a psychiatrist. They see their problems in other people.

Suddenly they'll find out to be on the wrong side... but we doubt that, as they've got not enough brains.

After using Oasis as always to seek attention and more fans, now Liam uses Ukraine (trendy among dem - demented millionaire celebrities) to show he’s oh such a good person... he’s probably crying using as handkerchiefs for millions of already poor people here who will have no gas... (sanctions hitting ourselves). Ukraine won’t take us to their shit. Sending weapons and fighting for peace (yes to have WorldWar3), ridiculous... retire you losers.

The same media blaming nazi Ukraine until February, now deny everything...

karma, after Manchester City lost to Real Madrid of Ac Milan legend Ancelotti, Liam said it's "only a game of football"... as we had said, only for a game, hooligan Liam menaces people... people like him with double personality are quite dangerous... corrupt said from one supporting City... financial fairplay anyone there? as children : when he loses, it's not valid. Grow the fuck up you loser. 

A blinded fan asked if Noel got the inspiration for orchestra in his new album from LIAM ahaha and replied Richard Ashcroft... have they ever heard of Morricone (history and mentioned as Noel’s inspiration), Oasis first album (1994), Whatever (94), The Masterplan (95), Who put the weight of the world on my shoulders, Everybody’s on the run etc

2nd consecutive new single (Better Days) of Liam ("hashtag blessed") not even in the Uk top 100.

The hilarious part of the situation is that the weak West is trying to avoid the result of sanctions to Russia that the West itself imposed...

Liam said he "stopped being a dickhead" (!!!), the worrying thing is that he doesn’t even realise he’s now a dickhead more than ever... when he was young it was ok, “it’s just rock’n’roll”... now it’s clearly Debbie politically correct’s fault. Nothing to do with Oasis.

Moscow rules. 

more soon

L'eroe Draghi poverino, Nobel per la Pace l'ha chiesta a Putin ma ha trovato un wall... sanzioni, armi all'Ucraina ecc e di tutto e pretende che lo ascoltino. Pagliaccio servo!

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hard winter 2023

since last winter (anticipation) we've been cutting more wood, as Rocky in Russia... not with electric saw (softy Liam, not everything's electric). Also with an electric one it's an effort (and dangerous, many people also experts cut their fingers) so better a proper training. For the wood we don't use our fireplace (stand up beside the fireplace - Don't look back in anger and also on Definitely Maybe) because of smoke, but old-fashioned stoves (definitely not "green" that Noel hates... the people are getting poor and poorer, so environmentalist bullshit can fuck off). We have some fields with many trees of good wood. The stoves are those you can put food on, and has a mega different taste. Obviously cooking much slower, but ideal for cotechino big salami in winter, typical of New Year's days, with traditional lentils bringing money (as Arabs to Milan ;), etc

idiotic West wanting war sending weapons, the sanctions are hitting ourselves instead of Russians

Training montage (Rocky Balboa the Italian stallion) V. DiCOLA

Woodcutter's son PAUL WELLER 

Gas panic (Noel vocals demo) OASIS 

Diamond THE RELAYS (Oasis Masterplan album)

Hearts on fire (Rocky) J.CAFFERTY

A bullet for everyone P.WELLER

La mano sinistra del diavolo (spaghetti western) THEGIORNALISTI, T.PARADISO 

Decoy THE RELAYS 

One x one P.WELLER & NOEL GALLAGHER

Due foglie di settembre (different cover of Billy Idol's Eyes without a face) GARBO 

Felicità puttana (=bitch felicity) THEGIORNALISTI

La fine del mondo (the end of the world) ENRICO RUGGERI 

L'ultimo giorno della Terra (last day of Earth) (7° piano a Milano come noi zona San Siro) THEGIORNALISTI

Prima della fine (before the end) GARBO & LUCA URBANI 

Diamo tempo al tempo ("ora apprezzi di più la campagna dove stabile il tempo si ferma"... our stay young Oasis in our Blur countryhouse) THEGIORNALISTI

Generazione GARBO

Guido così THEGIORNALISTI

Vorrei regnare GARBO

Senza rimontare GARBO & L.URBANI

il Soffio del gatto GARBO

i Gatti THEGIORNALISTI

A Berlino... va bene GARBO

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