"Oasis - это бизнес, а в Beady Eye всё по-настоящему" + Liam: Upside Down sucks

MOSCOW - Another automatic translation from Russian language, see if you can understand. 

On the eve of the Moscow concert Beady Eye Sounds talked with Andy Bell and Liam Gallagher. The latter, though in every way trying to disown past Oasis - and, physically (just before the interview in the press flashed a message saying that Liam refused to stay at the hotel to discover that there dwelt his elder brother) - from questions about the former group does not go away became, and finally promised udelat Noel on all counts.

Zvuki.ru : You have chosen Steve Lillywhite as a producer, because he worked with The La's - or were they on other reasons?
Andy: Yes, the fact of his collaboration with The La's played a role, but in fact it is he found us first - we have not even started to search for a producer, as he showed up at our door. Well, we decided that it is unlikely to be able to find someone better than him in the short term, but we did not want to delay album release on the back burner for such reasons. And we do not make a mistake with the choice.

Z: Well, any difficulties with the record been?
Liam: This is the first in my memory album, record that we have no difficulty. Everything went like clockwork, man, I have not experienced such pleasure from what I have to hang around in a stuffy studio. We have never had a situation where I'm stuck for months, being in Oasis: "damn song, how did it written" - and all the weeks go round and round this song until exhaustion. With "Different Gear, Still Speeding" everything went without a hitch.
A: The only thing that marred our work - is the fact that England never took the World Cup. (Laughs). We made it our goal to record a "live in the studio - so everything went very quickly. We do not have to puzzle over all sorts of specific studio chips: Why, if our goal - is to show what we are able to live?

Z: You started a new group from scratch, this is your recollection of how you did it before in the Oasis or a completely new experience that does not intersect with the fact that it was before?
L: And then, and another man ... (Begins to hum, it interrupts Andy).
A: It gives the already-forgotten feeling of novelty, the feeling that everything is still ahead. Now we can again easily play small clubs, to be mobile, not under pressure from no quarter - so it is first and foremost, freedom of action, which we have been looking for. And, when you have no more of this burden is annoying you hit, you can safely play the whole album and no one would require to perform what you would have been better would have long ago buried.

Z: Do you think that Beady Eye ways to gain entirely new audience? Or does it capture the part of fans of Oasis, who are ready for change?
L: Uh-uh, of course, new - I can see how our gigs coming guys 16-18 years old!

Z: Liam Q - in one interview you said that Oasis were the history of pop music, but the Beady Eye, on the contrary, pure rock and roll. Could you explain the difference?
L: Yeah, I said this - but I did not mean the music, man. I talked about the group's image, about its roots - and then everything really well. Just ... uh-uh ... in short, Oasis is * banaya shit that we already all over the ball * and Beady Eye - is what puts us all how to rock and roll, right? Oasis - it's a business, that's what I wanted to say, a Beady Eye at all really ..

Z: What do you think about the new documentary about Creation Records (the label, producing Oasis until the 2000's - approx. Sounds)?
L: It sucks. I did not really watch it, really. But they didn't even invite me to participate - and that there may be, then? They will ask the office cleaners Creation? Funny! No one advise. All these shitty "stars of rock 'n' Roll" from the 90s? You kidding? Think they are anything remember? Yes, at least I can not remember how crap we are Baha'is then, much of this to come to something - and I will not complain, my memory has always been strong. And these guys ... They passed!

Z: The "Different Gear ..." you can find a cover of a little-known group of World of Twist - this is some of your friends?
A: Yes, Liam saw them a few times, and I did was all on the short leg. They were not very lucky: only knew about them in Manchester and only in the early 90s - and even then, special popularity in the city they have won and broke up after the first album. But the singles they have been great, so we decided, why not remind everyone about this? Besides, once I went with them on tour, so I did not have to learn this game again (laughs)

Z: Why did you decide to name your label Beady Eye Recordings? Once it does so quite simply ...
L: But the sounds!
A: Yes, we had several options but we decided on this because we think it sounds so cool. This is almost the same as the Rolling Stones Records! By the way, the question of those who influenced us apart from The La's - this, of course, Rolling Stones.
L: I would add here The Kinks, Small Faces, and ... well, The Beatles, too, of course. I think that no I did not write, I'm still going to think about what I'd do would be Lennon in my place, and what would be Jagger - is a daily check, you know, man? I do not want to say that we want to clone their songs, but damn, this is the greatest of all time, what's wrong is to learn something from them?

Z: I noticed on your official forum, in that section, where users communicate with each other on the loose threads, there is a topic about the top 10 albums of all time. So, there are hundreds of these isotopes, but there are practically no albums from the last ten years (do you remember, I think the same :) - Marco)
Do you think this is really a problem of contemporary music, or all of those who listen to it?
A: (bitterly) Well, you have a list that would be solid albums of 2000s?
Z: Well, maybe not all, of course, but noticeable part - why not?
A: Well, I also like some modern plate - that's Tame Impala recorded a great album, but if I thought, who would be included in a list of the best albums of all time record, I do not remember remember about them. Just because there's an entirely different magnitude scale. Well, besides, still a fairly subjective - we love music 60's and 70's, because we grew up on it. Music of the 80 connected us with some important events of his youth, and the farther away, the less we were interested in someone else's music and the more we are engaged in their own. So, I think that many of our fans, too, have become hostages of the music of his youth, but I do not see anything wrong with that.
L: Oh, just a sincere, honest music, that's all! But all these attempts to come up with something new from scratch ... bullshit, I do not want to talk about it!

Z: And how do you taste your countrymen? The fact that playing at home and on the streets?
A: I ​​like it. I never bothered what sounds at a cafe or shops in England - we can vilify any number of our compatriots, but when you go abroad, and that's when you understand why people have come up with earplugs. We are here there are no problems, everywhere is nice music.

Z: You arrive for the first time in Moscow, but until then here would be your brother Noel. He did not tell about the city?
L: Yes, he is hell ahead of me, but you forget about it when we get to you. I always regret that we got to Russia as part of Oasis, in the golden years - but that now can you do need to move on. I tell you what: you will have half an hour fucking time, so relax - Beady Eye will give a light Noel. I promise.
 

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