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Sharrock interview: BE are never off

WINDSOR (Australia) - An interview with the drummer... was it possible with Noel Hitler Gallagher? not really.
this is the live setlist I would do for the gigs, a few changes:
Flick of the finger, Two of a kind, Evil eye, Four letter word, Soul love, Second bite of the apple, Iz rite, Off at the next exit, Rock'n'roll star, World's not set in stone, I'm just saying, Morning glory, Soon come tomorrow, The roller (or The beat goes on / Morning son), Start anew,
+encore: Bring the light, In the bubble with a bullet
(+one of 24 Oasis songs not by Noel=not by the Griffiths)

According to drummer Chris Sharrock, it was time for a change. Enter TV On The Radio guitarist and trailblazing indie producer, Dave Sitek.
“We didn’t really know much about him,” Sharrock says. “His name was put to us, as in, you know, this guy could be interested.”
Sitek is best known for his production work with hip New Yorkers Yeah Yeah Yeahs. He’s also worked with Foals, Liars and Santigold, and so it would be fair to say, at least on paper, Dave Sitek and Beady Eye have little in common.
“We thought we’d meet him and check him out,” Sharrock continues. “Well, actually we kind of met him 20 minutes before we started recording. And we didn’t really listen to anything he’d done before because we didn’t wanna go in with any … if he’d done something that we didn’t like, you know, it would have been all over.”
Unsurprisingly, working with the experimentally-minded Sitek was vastly different to making their debut.
“He challenged us more,” Sharrock explains. “He said, ‘here you are guys, what about this?’ and ‘why don’t you try that?’”
According to Sharrock, Different Gear Still Speeding producer Steve Lillywhite “didn’t stick it out to the end anyway”, and left the band “running around like headless chickens”. On the other hand, Sitek became like Beady Eye’s “fifth member”.
“He had his little corner of the studio going on and we had our corner. We’d meet in the middle over the coffee machine.”
In the lead-up to the release of this album, Liam Gallagher was typically bold. BE, he said, was the album Oasis should have made after their mega-selling magnum opus, (What’s The Story) Morning Glory?
In production terms, at least, he’s right. BE is the sound a band freed from the shackles of commercial expectations – out of their comfort zone, but loving it.
Take the futuristic album opener, Flick Of The Finger, with its aggressive horns, thumping Velvet Underground-like drums, and seize-the-moment lyricism. The same goes for the modern-sounding Soul Love, a dark, brooding song Oasis would never have recorded in their pomp. That sense of musical adventure is further explored on spacey tracks like Don’t Brother Me and the closing ballad, Start Anew.
Essentially, BE showcases a band hungry to carve out their own creative path, an opportunity afforded to them by the departure of Noel.
“Everyone has to step up and bring more songs in as opposed to just learning them,” Sharrock says. “There’s a lot of creativity going on, we’re always jamming. We’ve got three or four new tunes already – they’re very rough sort of jams but there’s something there. There’s three writers in the band so there’s never a shortage of songs.”
Sharrock continues: “After the last gig on the last tour we said, ‘right we’re gonna have three months off’. After about a week and a half everyone was like, ‘should we do something, should we get together?’ We can never leave it alone for too long, this is just what we do.”
Their unshakable enthusiasm is impressive given that, for part of 2011, the band was like a “rudderless ship”.

“The last management [NOEL's same management] bailed in the middle of that tour,” Sharrock explains. “We went a couple of weeks without management. It was a shit thing to do but I didn’t really look at them as management anyway. They were just people who booked my cab and train. There was no love lost for me.”

Either way, things are well truly back on track now. The band is getting set to hit the road for a string of UK shows and festivals. Having missed Australia on their previous world tour (and on the last Oasis tour - wondering why, eh NOEL? - after all his insults to the Australians), Sharrock confirms that the band is “definitely” coming here this time around.

Not only that, they’ll coming with a couple of Oasis songs up their sleeves – they’ve been rehearsing Morning Glory and Rock ‘n’ Roll Star – and with new touring bassist and former Kasabian member Jay Mehler.
“He’s a great guy,” Sharrock says. “We were sorry to lose Jeff [Wootton] because he was kind of there from the start, but Jay’s doing a great job. We know him anyway, we’ve known him a few years through Kasabian and it’s great having him around.”
Meanwhile, with the album and tour cycle in full swing, Liam has been whipping up a storm in the British tabloids. Notable stories include his claim he could’ve written Daft Punk’s “Get Lucky” in an hour, and reports he tried to ride a dog during a particularly boozy night at the pub (another fake story, many photos but no photo with a dog).
“I wasn’t with him that night but I heard him talking about it,” Sharrock says, already laughing. “He was like, ‘fuckin’ hell this is a load of bollocks. It wasn’t a dog, it was a pig’. You never know with him. You never stop laughing, laughing or crying.”
And as for the constant ‘will they, won’t they?’ Oasis reformation rumours, Sharrock says he’s not the man with the answer.
“I’m kind of last on the list,” he laughs. “I’ll go with the flow. We never speak about it and we never think about it amongst ourselves. Especially me, it’s got nothing really to do with me.” But if they’re getting back together, I’m available.”
Beady Eye might always be known as Oasis minus Noel Gallagher, but as they’re now proving, that needn’t be a disadvantage. Instead, it can be an exciting point of difference.
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Oasisblues copyright © 1994 - 2020

Beady Eye gigography and next tour dates


30 May - Forum, Milan, Italy (the first "Noeless" gig since 1991 when he didn't join Oasis yet)

summer tour without Noel


16 November - Andy Bell unplugged - Debaser, Stockholm, Sweden (bootleg)


3rd & 4th March - Barrowland, Glasgow, Scotland +here and here + bootleg
6th & 7th March - O2 Apollo, Manchester +bootleg 1 +bootleg 2
9th & 10th March - Troxy, London +bootleg 1
13 March - Casino de Paris, Paris, france
14 March - E-Werk, Koln, Germany
16 March - Alcatraz, Milan, Italy +dvd bootleg
18 March - La Riviera, Madrid, Spain +bootleg
19 March - Bikini, Toulouse, france
21 March - Paradiso, Amsterdam, Holland (bootleg)
22 March - Ancienne Belgique, Brussels, Belgium (bootleg)
14 & 15 April - The Olympia Theatre, Dublin, Ireland here a bootleg image
17 April - Ulster Hall, Belfast, Northern Ireland
20 April - O2 Academy, Newcastle (a photo here)
23 April - Centre, Newport (photo and bootleg)
30 May - Grosse Freiheit 36, Hamburg, Germany
+a photo here + win tickets here
8 June - Saschall, Firenze, Italy +my story here +bootleg here +win tickets here
11th June - Papillons de Nuit Festival, Saint Lo, france
12 June - Isle of Wight festival +story here and here +interview here +videos here +interview and bootleg here
25th June - Theater of Living Art, Philadelphia, U.S.A.
30 June - Rock Werchter, Belgium (bootleg)
1 July - Main Square Festival, Arras, france +a photo here
7 July - BBK Live Festival, Bilbao, Spain
9 July - Oxegen Festival, Naas, Ireland
26 August - Reading Festival (win tickets) +videos here +review&video here +bootleg here
3 September - AX Hall, Seoul, South Korea
14 September - Twinkle Rock Festival, Taipei, Taiwan
7 October - Atlantico, Rome, Italy +main bootleg here +another bootleg here
+win the concert here
11 October - Volkshaus, Zurich, Switzerland (postponed)
13 October - Gasometer, Vienna, Austria (postponed)
31 October - Theater Caupolican, Santiago, Chile
2 November - Teatro de Verano Ramon Collazo, Montevideo, Uruguay
3 November - Teatro Colegiales, Buenos Aires, Argentina
4 November - Personal Festival, Buenos Aires, Argentina
5 November - Planeta Terra festival, Sao Paulo, Brazil
12 November - O2 Academy, Sheffield
14 November - O2 Academy, Birmingham
17 November - O2 Academy Brixton, London
2 December - The Warfield, San Francisco, U.S.A.
3 December - Wiltern Theatre, Los Angeles, U.S.A. +another complete review here +win tickets here and here
5 December - First Avenue, Minneapolis, U.S.A.
6 December - The Rave Ballroon, Milwaukee, U.S.A.
9 December - Terminal 5, New York, U.S.A.
10 December - House of Blues, Boston, U.S.A.


new tour


3 June - Abbey Road, London (acoustic) +bootleg here
7 June - McClusky's, Kingston (album launch acoustic gig)

8 November - Olympia Theatre, Dublin, Ireland


Noel Gallagher solo gigography, and Low Lying Turds tour dates

(although his blinded fans say he's a "new solo artist", it's 20 years he's around and already played "solo" gigs previously (the first one in 1994), with the help of other people of course, as the Unplugged 1996, the gig for Tibet, the tour in 2006-2007, London, Milan, Manchester, Moscow, Los Angeles, Toronto, Paris, Australia, etc.)


25 March - Royal Albert Hall - London


28 November - Alcatraz - Milan, Italy + review here +video bootleg here +audio and video bootleg here


lost interest... even Noel got bored of himself

10 April - Auditorio Banamex - Monterrey, Mexico (cancelled)



fans leave the gig again and ask for Liam again

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